The films of Japanese film director and screenwriter Ryusuke Hamaguchi lodge in your brain and heart like small incendiary devices, ticking from his self-awareness toward yours.
IN THEIR EARLY DAYS, films weren’t as concerned with the realistic elaboration of action as with the various devices writers, directors, cinematographers, and production artists used to convey ideas and emotion through moving images. Theatricality what Roland Barthes called a “sensuous artifice” was at the basis of these movies, tasked not with recreating verité on screen but with artfully construing the psyche. Shadows and bursts of light, recurring objects, long takes, static camerawork, expressive acting, and striking (though not necessarily beautiful) faces seared images into a viewer’s
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