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IN THEIR EARLY DAYS, films weren’t as concerned with the realistic elaboration of action as with the various devices writers, directors, cinematographers, and production artists used to convey ideas and emotion through moving images. Theatricality what Roland Barthes called a “sensuous artifice” was at the basis of these movies, tasked not with recreating verité on screen but with artfully construing the psyche. Shadows and bursts of light, recurring objects, long takes, static camerawork, expressive acting, and striking (though not necessarily beautiful) faces seared images into a viewer’s

New yorkUnited statesJosephine decker madelineHaruki murakamiMasahiro higashideRichard maxwellHidetoshi nishijimaTakatsuki masaka okadaPatrick wangAsako izumiyaYukiko iiokaAsako erika karataWerner schroeterSasaki shouma kaiRoland barthesKiyohiko shibukawa