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For poet Carlos Soto Román, the task is not to ask about the after with respect to memory but to think it as a field of counter-documentationone that does not, unlike many oft-criticized sociological studies and Truth Commissions, instantiate an arbitrary finality and closurethat continues to enclose/foreclose on itself, only to contradictorily acknowledge these same historical fissures and cuts. ....
The Athenaeum's Theatre by the Sea collection sparked memories for the actors who made history on a tiny stage at a former warehouse on Ceres Street. ....