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New year, new me – Ohio Ag Net | Ohio's Country Journal

Two more Ohio Proficiency winners announced – Ohio Ag Net

The Moth | Radio Hour | Live and Learn

- This episode is available on your local radio station, on PRX and below via The Moth Player. It will be published on iTunes | Spotify | RadioPublic | RSS  - on 6/13/23  -In this hour, stories of lessons for real life. Navigating young love, learning to live in the moment, and how to drive stick shift. This episode is hosted by Jay Allison, producer of The Moth Radio Hour.Sam Bolen works on Broadway during the "season of the understudy."Meg Ferrill uses her skills as a project manager in the lead up to the birth of her son. Grace Topinka tries to learn stick shift.Michael Maina has no idea how to handle his first crush. Anh Vu Sawyer challenges the youth she works with to apply to college—but they in turn challenge her right back.

Briefcase: REDW announces new hire

Sam Bolen

Theater Review: "Midnight at the Never Get" at Signature Theatre

The songs speak volumes in Midnight at the Never Get (★★★★☆), expressing feelings that crooner Trevor Copeland (Sam Bolen) and pianist Arthur Brightman (Christian Douglas) might otherwise never admit to themselves, each other, or the world. Arthur writes the songs and Trevor sings them, but both of their stories, and an era of LGBTQ history, flow through their fateful collaboration. The musical conceived by Bolen, writer/composer/lyricist Mark Sonnenblick, and Max Friedman, who directed the original Off-Broadway production depicts a version of Trevor and Arthur’s partnership as Trevor remembers it. His memory often fails him, as he regales his audience at the Never Get, a backroom boîte in Greenwich Village, with a tale of love, loss, and, he hopes, reunion.