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Kawase Naomi: looking from the outside in


Japanese cinema is typically viewed as a masculine domain. Until the 1980s, the studio system’s structure presented a formidable barrier for women hoping to enter the industry in a creative capacity. Barring Japan’s first woman director, Sakane Tazuko, who made a single feature in 1936, the long-lost
Hatsu sugata, the few who chalked up a directing credit generally hailed from an acting background.
Only in the past decade have Japanese women filmmakers made real headway. Their swelling ranks and the acclaim, both domestic and international, for such names as Nishikawa Miwa (Dear Doctor, 2009;
Dreams for Sale, 2012), Tanada Yuki (
Moon & Cherry, 2004; ....

United States , Ogigami Naoko Kamome , Nishii Kazuo , Kawase Naomi , Ozu Yasujir , Kore Eda Hirokazu , Sakane Tazuko , Takita Jojiro , Kitano Takeshi , School Of Photography , Osaka School Of Visual Arts , Japan National Tourism , Japan National Tourism Organization , Nishikawa Miwa , Dear Doctor , Tanada Yuki , Cowards Who Looked , Ogigami Naoko , Kamome Diner , Yokohama Satoko , Bare Essence , Grand Prix , Mourning Forest , Golden Lion , Miyazaki Hayao , Princess Mononoke ,