hello, and welcome to this review of the year in film. i m mark kermode, and over the next 30 minutes, i ll be rounding up the highs and lows of what s proved a challenging but also surprisingly creative year for cinema. 2020 seemed to start so well with the uk release injanuary of the personal history of david copperfield. armand iannuccis superb reimagining of dickens‘ classic which brought 21st century colour blind casting to this i9th century tale with genuinely timeless results. your mama is ill. how ill is she? very ill. dangerously ill. she s dead. dev patel seemed to be channeling the pathos of chaplin as he led a thrillingly diverse cast through this wonderfully comedic, absurdist and hugely entertaining adaptation. 0h, donkeys! this is a donkey free zone! remarkable woman. very kind. in early february came the oscars, where south korean maverick bong joon ho made history when his genre crossing gem parasite not only picked up the award for best international featu
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