Romeo and Juliet film celebrates theatrical roots in just 90 minutes rep-am.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rep-am.com Daily Mail and Mail on Sunday newspapers.
The play opens backstage with the lovers flirting beside a prop cage and the knives are wooden until they become steel. As the play continues, it opens up with costumes and set designs appearing effortlessly.
“It was going to be impossible and maybe not that interesting to try and create cinematic realism because we can’t shoot outdoors and we only have one location really and it’s a stage,” said O’Connor. “So initially it was like, ‘Well, let’s not shy away from the fact that we are on a stage. Let’s celebrate that.’”
The retelling is directed by Simon Godwin and reconceived by writer Emily Burns for the screen. It was shot over 17 days in December at the National s Lyttelton theater. PBS “Great Performances” will air it Friday.
The play opens backstage with the lovers flirting beside a prop cage and the knives are wooden until they become steel. As the play continues, it opens up with costumes and set designs appearing effortlessly.
“It was going to be impossible and maybe not that interesting to try and create cinematic realism because we can’t shoot outdoors and we only have one location really and it’s a stage,” said O’Connor. “So initially it was like, ‘Well, let’s not shy away from the fact that we are on a stage. Let’s celebrate that.’”
The retelling is directed by Simon Godwin and reconceived by writer Emily Burns for the screen. It was shot over 17 days in December at the National s Lyttelton theater. PBS “Great Performances” will air it Friday.
The play opens backstage with the lovers flirting beside a prop cage and the knives are wooden until they become steel. As the play continues, it opens up with costumes and set designs appearing effortlessly.
“It was going to be impossible and maybe not that interesting to try and create cinematic realism because we can’t shoot outdoors and we only have one location really and it’s a stage,” said O’Connor. “So initially it was like, ‘Well, let’s not shy away from the fact that we are on a stage. Let’s celebrate that.’”
The retelling is directed by Simon Godwin and reconceived by writer Emily Burns for the screen. It was shot over 17 days in December at the National s Lyttelton theater. PBS “Great Performances” will air it Friday.
The play opens backstage with the lovers flirting beside a prop cage and the knives are wooden until they become steel. As the play continues, it opens up with costumes and set designs appearing effortlessly.
“It was going to be impossible and maybe not that interesting to try and create cinematic realism because we can’t shoot outdoors and we only have one location really and it’s a stage,” said O’Connor. “So initially it was like, ‘Well, let’s not shy away from the fact that we are on a stage. Let’s celebrate that.’”
The retelling is directed by Simon Godwin and reconceived by writer Emily Burns for the screen. It was shot over 17 days in December at the National s Lyttelton theater. PBS “Great Performances” will air it Friday.