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Hal Foster on The Anti-Aesthetic - Artforum International

THE NOTION OF POSTMODERNISM was once a great stimulant to art and thought; today, it feels like another anti-aphrodisiac of the just past. In some ways, postmodernism seems more historical than modernism, reanimated as modernism is by questions of colonialism, diaspora, and globality. On the other hand, this untimeliness makes the present a good moment to look back at postmodernism, if only to measure our distance from it.The Anti-Aesthetic: Essays on Postmodern Culture, which I edited, was published forty years ago; it was quickly followed by Art After Modernism: Rethinking Representation ( ....

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Suzanne Hudson on Blythe Bohnen - Artforum International

WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968 and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced on the announcement ....

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In Praise of Joseph Masheck, Art Critic

In Praise of Joseph Masheck, Art Critic
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Clemente to Marden to Kiefer: Remembering Peter Schjeldahl

Clemente to Marden to Kiefer: Remembering Peter Schjeldahl
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