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Melbourne review wrap: The Bridal Lament; Jaime Conducts Debussy and Strauss; World Problems at MTC
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Melbourne review wrap: The Bridal Lament; Jaime Conducts Debussy and Strauss; World Problems at MTC
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Bharatanatyam meets Ballet in TOUCH
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Canberra International Music Festival, Concert 17,
“Waltz to Tango”, at the Fitters’ Workshop, May 7. Reviewed by LEN POWER
THE waltz of 18th century Vienna and the “nuevo tango” of Argentina seem at first glance to be worlds apart.
The waltz was popular in Europe but social unrest in the 19th century resulted in emigration to the Americas. With a melting pot of musical influences, imported and local, new musical genres arose.
By the end of the 19th century, the tango was gaining in popularity in Argentina. In the early 20th century, Astor Piazzolla, who earned his living playing in tango clubs, introduced classical and jazz elements, creating a new repertoire known as “nuevo tango”.
Canberra International Music Festival / Concert 13, “Up Close at Gorman”, Gorman Arts Centre, May 5. Reviewed by
ROB KENNEDY.
CLOSE UP, intimate and fun was the experience for the audience in this Canberra International Music Festival concert over seven spaces in the Gorman Arts Centre in Braddon.
Concert 13 at the 2021 CIMF titled “Up Close at Gorman” began with the multi-talented Ariana Odermatt. Playing the clavicytherium, which is an itsy-bitsy vertical harpsichord that creates a booming resonance for the performer because the soundboard is in the player’s face. The very early music performed was “De che le morta la mia signora”, Anon early 16th century, “O ye tender babes” by Thomas Tallis (1505-1585) and “Proœmium in re” by Hans Kotter (1485-1541).