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Rock en Seine have added a load more artists to their 2022 festival - including Frank Carter & The Rattlesnakes for Rage Against The Machine's standalone date.
David McKenna
, May 18th, 2021 08:14
David McKenna ponders the influence of Paris’ Seine-Saint-Denis suburb and samples Marseille rap, mongrel folk and prepared pianos. Home page photograph: Sourdure by Eloïse Decazes
Recently I’ve been reflecting on the outsize impact of one of France’s smallest administrative departments – Seine-Saint-Denis, which covers a little over 90 square miles and is known informally as
le quatre-vingt treize or
le neuf-trois – ‘the ninety-three’) after its department number – on French popular music. Listening to Gazo’s superb
Drill FR release and looking up some autobiographical details, I found myself thinking “oh,
le 93 again!”
Established in 1968, Seine-Saint-Denis is part of Paris’s
Requin Chagrin pushes deep into the unconsciousness.
True dream pop, her visionary songwriting matches flowing, nebulous melody to lyrics that spark conversations, words that disguise and illuminate at every turn.
Third album BYE BYE BABY is the work of an artist in full flow, someone who is supremely confident in their abilities.
Out now, it s a gorgeous listen, yet it s also packed full of complex trickery - as ever, nothing is as it seems with Requin Chagrin.
Clash invited the French artist to break her new album down, track by track.
- - - Première Vague
What immediately comes to the fore is the desire for a wall of sound, something more massive and solid. This energy, despite the strangeness of the track’s structure, made me think of a wave. Even without knowing where to go, we should dive in, always.