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Inside the Renovated Dia Chelsea, Challenging (and Enchanting) New Commissions by Lucy Raven

Inside the Renovated Dia Chelsea, Challenging (and Enchanting) New Commissions by Lucy Raven Vogue 2 hrs ago © Vogue This week, Dia Chelsea reopens to the public after a two-year and reportedly $20 million renovation. Designed by Architecture Research Office (ARO), the 32,500-square-foot site combines three contiguous buildings on West 22nd Street into a space that encompasses 20,000 square feet for exhibitions, a “talk space” for public and educational programming, and Dia’s bookstore. Dia has long had a footprint in that area, opening its first Chelsea outpost in 1987; several years before commercial galleries did the same. At the time, it represented a decisive break from the white-box SoHo exhibition space, embracing instead the brick, steel, and general grit of a neighborhood primarily known for its warehouses and auto-repair shops. The new Dia Chelsea rekindles some of that old roughness, says curator Alexis Lowry. “I’m a biased judge, but I think the archite

Inside the New Dia Chelsea, Challenging (and Enchanting) New Commissions by Lucy Raven

To revist this article, visit My Profile, then View saved stories. This week, Dia Chelsea reopens to the public after a two-year and reportedly $20 million renovation. Designed by Architecture Research Office (ARO), the 32,500-square-foot site combines three contiguous buildings on West 22nd Street into a space that encompasses 20,000 square feet for exhibitions, a “talk space” for public and educational programming, and Dia’s bookstore. Dia has long had a footprint in that area, opening its first Chelsea outpost in 1987; several years before commercial galleries did the same. At the time, it represented a decisive break from the white-box SoHo exhibition space, embracing instead the brick, steel, and general grit of a neighborhood primarily known for its warehouses and auto-repair shops. The new Dia Chelsea rekindles some of that old roughness, says curator Alexis Lowry. “I’m a biased judge, but I think the architects have done a really, really beautiful job of essential

The Inheritance Review | Hollywood Reporter

A celebration of Black artists and revolutionaries, Ephraim Asili s debut feature was inspired by Godard s La Chinoise. Ephraim Asili calls his first feature-length film a remix of La Chinoise, Jean-Luc Godard s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating a critique and an homage at the same time, but you don t need to be familiar with the earlier work to appreciate The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.

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