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How David Alekhuogie Navigates the Colonial Past


How David Alekhuogie Navigates the Colonial Past
The LA-based photographer speaks about Walker Evans, Black aesthetics, and how a frightening encounter with the police informed his thinking about art.
David Alekhuogie,
Interviews - April 30, 2021
For his recent exhibition at Yancey Richardson Gallery, David Alekhuogie worked with photography, collage, and sculpture to produce a visual meditation on his artistic and cultural lineage. His source materials cotton jersey fabric, wax print fabric, the 1935 exhibition catalogue of Walker Evans’s photographs of African sculptures are varied and all approached with a tendency towards abstraction. In one series, titled
To Live and Die in LA (2018), his fascination is with the body as landscape and with the ways that the body, when photographed, can indicate the tensions and vulnerabilities of its stance. The most acclaimed of his photographs in that series show the midriff area of Black male bodies, the subject of ....

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Exhibition brings together works by women artists with varying relationships to their Dominican heritage


Exhibition brings together works by women artists with varying relationships to their Dominican heritage
Monica Hernandez, Dumped, 2020, oil on canvas, 72 x 48 in.
NEW YORK, NY
.-Jenkins Johnson Projects, New York, is presenting De Lo Mío. A group exhibition curated by artist Tiffany Alfonseca, with an accompanying essay by curator and writer César García-Alvarez, featuring works by Bianca Nemelc, Joiri Minaya, Monica Hernandez, Uzumaki Cepeda, and Veronica Fernandez. De Lo Mío brings together a focused selection of works by an emerging group of women artists with varying  relationships to their Dominican heritage. Originating from Alfonseca’s ongoing interest in her generation’s evolving connections to a motherland, De Lo Mío envisions identity not as a definable set of associations but rather as a spectrum through which multiple personal and collective pasts as well as lived experiences come to forge how people exist. ....

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