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FutureWorks Delivers on Indian 'Ray Donovan' Adaptation | Animation World Network

The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination. ....

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The 'Big Nate' Team Talks Season 2's Media Mashup Masterpiece

Sam Koji Hale, Ara Santos, and Ben Giroux dig deep into the production of a special episode from the new season involving more than 20 different animation techniques including stop-motion, pixelation, Claymation, cut-outs and digital puppetry - a veritable ‘dream style’ amalgam that provides an incredible visual feast for the eyes; Season 2 premieres today on Paramount+. ....

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MPC Goes with the Lava Flow on 'Dungeons & Dragon: Honor Among Thieves'

Led by VFX supervisor Axel Bonami, the studio’s team delivers 500 shots on Jonathan Goldstein and John Francis’ action adventure, including a multi-creature-transformation castle escape sequence, the cavernous, lava-filled Underdark, Themberchaud the dragon, a host of magical spells and one really cool portal. ....

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Jeff Okun Shares the 'Disastrous' VFX of 'The End is Nye' | Animation World Network

The veteran VFX supervisor delivered between 500-800 shots per episode on the 6-episode Peacock series, depicting Bill Nye getting killed in the most epic global disasters imaginable, including large-scale asteroid strikes, volcanic eruptions, earthquakes, tsunamis, floods… that mixed visual effects with actual footage to show what would happen and how we can either mitigate ....

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The Rather Beastly VFX of 'Shazam! Fury of the Gods' | Animation World Network

Co-Visual Effects Supervisor Raymond Chen, working with DNEG, Pixomondo, Stereo D, and BOT VFX, delivers dragons and unicorns, as well as forcefields, capes – yes, capes – and various magical effects, on Warner Bros. and David Sandberg’s ‘Shazam!’ sequel. ....

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