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two. let s round up the sport, first. let head to the bbc sport centre and over to govan. yes, thanks indeed. china s sijiahui is through to the quarterfinals of the world snooker championship in sheffield. the 20 year old from china is the lowest ranked player left in the tournament, ranked 80th in the world. he started the day 11 5 frames up against robert milkins. the englishman tried to claw his way back, but has lost in the last few minutes, with the chinese player clinching the game. mark selby s he clinched the match by a 13 7. mark selby s match with gary wilson will also resume this evening. he saidi he said i am sabrosso surprised to get into the quarterfinals and even surprised by myself making it into the crucible stage. ten chinese snooker players face match fixing charges, as an independent panel considers the evidence against them at a hearing that begins on monday. the allegations include manipulating games, approaching players to cheat, betting on snook ....
Gillian slovo, welcome to hardtalk. Thank you. Gillian, you have been writing for many decades, but your recent work, particularly your plays, have focused not so much on your own authorial voice, your imagination, they focused on real peoples real stories. I just wonder if youre getting sick of making things up. Im not, actually, because, you know, theres part of me that wants to go back to my desk to be on my own, to make stuff up, but ive really got a lot from working in the theatre and from the collaboration that comes, not only from the crew and the directors and the actors, but actually the collaboration that comes from the people ive interviewed. And finding a way to magnify their voice onstage has been actually really a wonderful piece of work for me. Ive really learnt a lot about it, and it also teaches you about dialogue when you want to go back to drama, to writing fiction. I mean, your most recent play, which has been on in the uk and indeed on in new york as well, is all a ....
Gillian slovo, welcome to hardtalk. Thank you. Gillian, you have been writing for many decades, but your recent work, particularly your plays, have focused not so much on your own authorial voice, your imagination, they focused on real peoples real stories. Ijust wonder if youre getting sick of making things up. Im not, actually, because, you know, theres part of me that wants to go back to my desk to be on my own, to make stuff up, but ive really got a lot from working in the theatre and from the collaboration that comes not only from the crew and the directors and the actors, but actually the collaboration that comes from the people ive interviewed. And finding a way to magnify their voice onstage has been actually really a wonderful piece of work for me. Ive really learnt a lot about it, and it also teaches you about dialogue when you want to go back to drama, to writing fiction. I mean, your most recent play, which has been on in the uk and indeed on in new york as well, is all abo ....
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