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Lisasa respers f france: it t t disparity y and that u unfairns that peoeople are coconstantlyn the lolookout for r because itio histororic, and itit s so wead intoto the amerirican cultur. cari champmpion: cultutural apappropriatioion looks lilikt identifyfying the ororiginato. anand it only y becomes popopr in mainstrtream culturure whwhen someonene who is nonot k decides s to use it t as theirn or make itit their ownwn. sidndney madden:n: i thinink a lot ofof people are just n now wakingg up to o the fact ththat most mumusic genreses t wewere birtheded in americia were birththed by blacack peop. [suspepenseful piaiano music] and were stolen and popularized by mainstream white artists. shirley halperin: the issue of cultural appropriaiation really speaks to the roots of the music industry, which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say, the record companyy ....
Which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say,y, the recorord compy willll own the m master andd any slslave recordrdings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn n t flow. ththe attentioion doesn t t w toto the blackck creators.. it is, i in a way, h hijacked by the w white creatators. cari chahampion: litittle richchard had ofoften said,, ....
i think a lot of people are just now waking up to the fact that most music genres that were birthed in america were birthed by black people. and were stolen and popularized by main stream white artists. the issue of cultural appropriation really speaks to the roots of the music industry. which have been for as long as recording as existed has really been riding on the back of black talent. some recording contracts still say the record company will own the master and any slave recordings, a slave is a copy of the master. the roots of these terms obviously go back to the very birth of the nation era of white supremacy. almost since the beginning of the music industry, there have been the feeling that white artists have taken from black ....
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