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therere was seisismic acactivity in n seattle. anchchor: the swswifties danced andnd jumped soso muc. ananchor: the e equivalentntf a a 2.3-magnititude earthqhqu. tayloror swift s i impact on p culturure today isis extraordid. the concncert, fromm my undnderstandingng, genenerated billllions of dodo. vanessa a yurkevich:h: one econt susuggests thahat taylor s sw, through h her us touour, coud add $5 billion to o us gdp. if cacari champioion: you re e o 8080, you knowow a song off tataylor swiftft s. nate rogers: i in modern pop timemes, you havave yoyour cream-o-of-the-cropop ar. and taylor swift is probably arguably the tip of the top. anchor: : pop star t taylor swis takiking her rececord-breakikins tour t to the big g screen. cari c champion: t there sees to be e not only a a fascinati, but an o obsession w with wht shes sininging, who o she singg to, who heher friends s are, whwhat these s songs mean n to. we have e a dedicateted nfl cacam to taylolor swift in all of f th
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which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say,y, the recorord compy willll own the m master andd any slslave recordrdings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn n t flow. ththe attentioion doesn t t w toto the blackck creators.. it is, i in a way, h hijacked by the w white creatators. cari chahampion: litittle richchard had ofoften said,,