[ sound of gunfire ] as far back as i can remember, i always wanted to be a gangster. goodfellas is like, fasten your seatbelts, i m going to kick the shit out of you for two and a half hours, and you re going to love it. there have been so many gangster movies, so many mob movies. is it really possible that in 1990 martin scorsese will be able to make a gangster movie that has something to say that hasn t already been said a million times? it s gonna be a good summer! and you watch the movie and you re like, yeah! see you later, thanks. what are you doing? you re leaving your car? he watches the car for me. we tried to capture the exuberance of that world. it s dangerous and threatening, but they re having a wonderful time. goodfellas was the nuts and bolts of the mob. it was the mob as a job. what do you do? what? what do you do? i m in construction. and the balance of these two families, of your mob family and your real f
Degree
Culture
Flip
American
Nation
Influence
Television-set
Sound
Gunfire
Goodfellas
Shit
Gangster
it s kind of the culmination of both of our lives, and we have no choice. let s go. i can t imagine the movie would have had any power at all had we not ended it that way. i have no enemies here. no? wait a while. shawshank redemption is the perfect prison film. for a good prison movie, you need a warden who s corrupt. and i wouldn t worry too much about this contract. you need some claustrophobia. you want the audience to feel like they re trapped. and then there has to be hope. here. a little parole rejection present. the audience has to hope for something better for these characters that they fall for. it s a great love story between two men spending 20, 30 years in prison, getting to know each other. the funny thing is, on the outside, i was an honest man, straight as an arrow. i had to come to prison to be a
Made-a-very-american-movie
Way
Lives
Choice
Kind
Power
Both
Culmination
Enemies
Let-s-go
Prison-film
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they would not know it was the last journey, therefore, the journey had to be magnificent. a lot of women looked at this film and thought, i can relate to those women, i know what they re going through, i understand the choices they make. let s keep going. what do you mean? go! they looked at each other, and they both knew. are you sure? it s kind of the culmination of both of our lives, and we have no choice. let s go. i can t imagine the movie would have had any power at all had we not ended it that way. i have no enemies here. no? wait a while. shawshank redemption is the perfect prison film. for a good prison movie you need a warden who s corrupt.
Black-culture
Women
Journey
Lot
Choices
Thought
Each-other
Go
Unquote-hood-movie
Power
Choice
Kind
for a good prison movie you need a warden whose corrupt. i wouldn t worry about this contract. you need some claustrophobia, you want the audience to feel like they re trapped. and then there has to be hope. here. a little parole rejection present. the audience has to hope for something better for these characters that they fall for. it s a love story between two men spending 20, 30 years in prison, getting to know each other. the funny thing is, on the outside, i was an honest man, straight as an arrow. i had to come to prison to be a crook. ha! watching each other s lives rotate through this system. shawshank redemption is about seeking justice in an imperfect world. and when the convicts win, you have a sense of relief and that somehow justice has been done. trying to make it real
Audience
Prison-movie
Warden
Contract
Hope
Rejection
Parole
Claustrophobia
Corrupt
Something-about-mary
Oman
Thing
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