you cut to outside and amber s sobbing, because that s just it. she s somebody who is not responsible enough to parent. you don t have to be interested in pornography to be interested in broken people. they ve been rejected by their family, they don t have a family. the moral center of the movie is about all these broken humans trying to make themselves whole. by finding a stitched together family when they don t have an actual family of their own. paul thomas anderson has never made the same movie twice. whenever you see a paul thomas anderson movie, like stanley cube rick, you know it s a paul thomas anderson movie. i m not sure there s more of a compliment. oh, come on, frank. what are you doing? what am i doing? yeah.
spike had the good fortune of casting denzel washington at the pinnacle of his movie stardom. i think it s his best performance. denzel washington is one of the all-time greats. what he does in his artistry, painting a portrait of an individual, it s astounding. if the so-called negro in america was truly an american citizen, we wouldn t have a racial problem. if the emancipation proclamation was authentic, we wouldn t have a race problem. watching a guy like denzel as malcolm x, top of the game, intimidating in many ways. mr. becket, come in. when we made philadelphia, he was malcolm x already. that was like starting a movie with marlon brando and having just seen the godfather the night before.
Back and stuff. how do you know this? jed s got cable. this movie is about a widower. that, i thought, was a brave choice. you saw people on screen working out a problem that weren t necessarily from the traditional american family. i left her by the telescopes. the great thing about nora is, when she was talking about the dynamics between men and women who are attracted to each other or need each other or searching for each other and don t really know it, she was a genius. i m the guy you don t usually see. i m the one behind the scenes. i m the sports i wanted to write a movie that begins where an 80s movie ended. what s going on? they fired jerry maguire. the script went right to tom cruise. he calls immediately. i love this script.
Sandler knocking out one movie after the next. sidney and scott are newlyweds. whoopedy do! if you look at the scenes that are memorable from something like wayne s world, they re big scenes. they re the heads bobbing back and forth. they re not afraid to do something big to get a laugh. smoking! and then all of a sudden, one day, this guy who is as big as the screen shows up. and it s jim carrey. and he turned into a top hollywood star because he is unafraid to be big. even as he s doing these over-the-top things where you think, well, he s talking through his behind, i m not going to watch this. excuse me, i d like to ass you a few questions. and yet there you are, you re
election of matthew broderick and reese witherspoon, terrific. looks like you could use a cupcake. it s a remarkable film. who are you? boys don t cry is based on a true story about brandon tina, a young man who was a trans man living in a small community. he fell in love with a woman. they had a relationship. and other people discovered that this was a trans man and not a cis man and sexually assaulted and murdered him. boys don t cry, just a phenomenal movie. no studio would have made that movie. it was a game changer in terms of american cinema, in terms of what was made before and what was made afterwards. 1999 was just such a great year in independent cinema. you look at that lineup of films from virgin suicides to three kings to being john malkovich. there s a tiny door in my