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David Platzker on the art of Ed Ruscha ....

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David Platzker on the art of Ed Ruscha - Artforum International

THE DISTANCE from the Knox-Less service station in Oklahoma City to Bob’s Seaside Service, not so far from the Santa Monica Pier at the terminus of Route 66 both pictured in Ed Ruscha’s 1963 artist’s book, Twentysix Gasoline Stations was about 1,400 miles. It’s a drive Ruscha has taken many times since he traveled it with Mason Williams in Ruscha’s lowered 1950 four-door Ford, with throaty Smitty Glasspack dual muffler, following their graduation from Oklahoma City’s Classen High School in 1956.1The trail from Oklahoma City to Los Angeles via Route 66 holds a mythic place within the lore of the ....

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Carlos Villa gets a belated retrospective in San Francisco

The Filipino American artist influenced countless students as a teacher at SFAI. A retrospective offers a beguiling peek at his underappreciated work. ....

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William T. Wiley, multi-faceted artist and educator integral to Bay Area art scene, dies at 83

Sam Whiting April 28, 2021Updated: April 28, 2021, 8:00 pm
Artist William Wiley is interviewed in 1996 at his Woodacre studio in Marin County. Photo: Jerry Telfer, The Chronicle 1996
William T. Wiley a founder of the Bay Area Funk art movement who expanded into every medium and style of creation from watercolor to printmaking to giant sculptures in a career that lasted from 1960 until just a few months ago died Sunday, April 25, at Marin General Hospital.
His death was due to complications from Parkinson’s disease, which he’d suffered from since 2014, said his son, Ethan Wiley. He was 83.
A painter with a unique style developed at an early age, Wiley had exhibited at the San Francisco Museum of Modern Art in 1960 when he was 23 and still an undergraduate at the San Francisco Art Institute. Since then, SFMOMA has come to own 50 of his pieces, with eight of them in mediums from ink on felt and leather to etching on paper on display in a desig ....

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Cantor Arts Center Launches Asian American Art Initiative Bolstered by Major Ruth Asawa Acquisition

Cantor Arts Center Launches Asian American Art Initiative Bolstered by Major Ruth Asawa Acquisition
Among the first of its kind, Stanford’s newest hub of interdisciplinary scholarship transforms the museum’s collection and expands research opportunities.
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Ruth Asawa with life masks on the exterior wall of her house. (Photography by Terry Schmitt. Artwork: “Untitled (Wall of Masks),” c. 1966–2000. Ceramic, bisque-fired clay. © 2020 Estate of Ruth Asawa/ Artists Rights Society (ARS), New York. Courtesy The Estate of Ruth Asawa and David Zwirner)
By BETH GIUDICESSI
PALO ALTO The Cantor Arts Center at Stanford University announced Jan. 25 the establishment of the Asian American Art Initiative (AAAI), a significant effort to acquire, preserve, display and research art related to Asian American and Asian diaspora artists and their practices. ....

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