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Cover Feature: Derry Presbyterian Church, Hershey, PA

Editor's note: Click on the link above to view the front cover of the April 1951 issue of The Diapason and announcement of Opus 1132 for the Church of the Redeemer, New Haven, Connecticut.
The organ’s first career
In 1951 New Haven’s Church of the Redeemer, founded in 1838, moved into a neo-colonial structure designed by prominent local architect Douglas Orr. The new church was located in the city’s East Rock neighborhood and quickly took its place among Orr’s other distinguished buildings that remain popular to the present day. ....

New Haven , United States , Yale University , Woolsey Hall , Joe Dzeda , Jerrick Cavagnaro , H Leroy Baumgartner , Zack Ventrella , Douglas Orr , Nick Thompson Allen , Aubrey Thompson Allen , Kurt Bocco , Nate Ventrella , Horatio Parker , Joseph Dzeda , Leroy Baumgartner , Robertj Polett , Rohr Bordun , Chris Broome , G Donald Harrison , Singend Gedeckt , Nicholas Thompson Allen , Kleine Erz , Bryan Timm , Josephf Dzeda , Harry Benjamin Jepson ,

Cover Feature: Sebastian Glück Opus 24


Cover Feature: Sebastian Glück Opus 24
July 20, 2021
Sebastian M. Glück
Vice, virtue, and flexibility
Among the linguistic tics bandied about the organbuilding craft for the better part of a century is “judicious unification,” apologetically implying that the practice is quantifiably evil depending upon the extent of its use and the judgment of the builder. If we dislike the builder, it is dismissed as cheap expediency; if we adore the builder, it is the methodology of a thoughtful and clever artist. Both assessments can be, and have been, accurate. Duplexing (the ability to play a stop from more than one keyboard) and unification (the ability to play a particular stop at more than one pitch) have been in use for more than three hundred years. A century after the cinema organ flourished, many are granting “unit orchestras” absolution as we try to preserve the few that we have yet to destroy, with the expectation that accompanying s ....

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