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The Perfect Candidate Review: Haifaa Al-Mansour Examines Misogyny in Saudi Arabia with Political Crowdpleaser


The Perfect Candidate Review: Haifaa Al-Mansour Examines Misogyny in Saudi Arabia with Political Crowdpleaser
May 13, 2021
A lot has changed in Saudi Arabia since Haifaa Al-Mansour last made a film in her home country.
Wadjda, Al-Mansour’s 2012 debut, was the first feature shot entirely in Saudi Arabia, and since then she’s worked in the US (
Nappily Ever After) and UK (
The Perfect Candidate, Al-Mansour’s keenly observed new film, examines a society in which women are acclimatizing to increased agency but still have a long way to go to equal rights.
A woman’s right behind the wheel hangs over the opening shot, which sees Dr. Maryam Alsafan (Mila Al Zahrani) drive up a muddy, disheveled road to the hospital where she works. Her shiny blue vehicle allows her the agency of traveling to and from work. Yet she still faces sexism on the job, such as when an elderly man refuses to be treated by her because she’s a woman, and demands that a less qualifi ....

Saudi Arabia , Ar Riya , United Kingdom , Haifaa Al Mansour , Dae Al Hilali , Abdulaziz Khalid Abdulraheem , Sara Noura Al Awad , Mary Shelley , Nappily Ever After , Perfect Candidate , Maryam Alsafan , Mila Al Zahrani , Noura Al Awad , Khalid Abdulraheem , The Perfect Candidate , சவுதி அரேபியா , ஆர் ரியா , ஒன்றுபட்டது கிஂக்டம் , டே அல் ஹிலாலி , மேரி ஷெல்லி , சரியானது வேட்பாளர் , நௌர அல் அவாட் ,

Review: A Saudi woman seeks to drive change in charming 'The Perfect Candidate'


Review: A Saudi woman seeks to drive change in charming The Perfect Candidate
Robert Abele
© (Music Box Films)
Mila Alzahrani and Hamad Almuzainy in the movie The Perfect Candidate. (Music Box Films)
The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials.
When Saudi Arabian filmmaker Haifaa al-Mansour broke gender and culture barriers with her 2012 debut “Wadjda,” its 10-year-old girl protagonist’s bike-owning dream was a simple yet powerful metaphor for what females were denied in the kingdom. ....

Saudi Arabia , United Arab Emirates , Los Angeles , United States , Saudi Arabian , Khalid Abdulrhim , Hamad Almuzainy , Mila Al Zahrani , Haifaa Al Mansour , Selma Dhay , Maryam Mila Al Zahrani , Sara Noura Al Awad , Brad Niemann , Centers For Disease , Los Angeles Times , Perfect Candidate , Music Box Films , Disease Control , Noura Al Awad , சவுதி அரேபியா , ஒன்றுபட்டது அரபு அமீரகங்கள் , லாஸ் ஏஞ்சல்ஸ் , ஒன்றுபட்டது மாநிலங்களில் , சவுதி அரேபியன் , பிராட் நிஎமான்ன் , மையங்கள் க்கு நோய் ,