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Review: A Saudi woman seeks to drive change in charming The Perfect Candidate Robert Abele © (Music Box Films) Mila Alzahrani and Hamad Almuzainy in the movie The Perfect Candidate. (Music Box Films)
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When Saudi Arabian filmmaker Haifaa al-Mansour broke gender and culture barriers with her 2012 debut “Wadjda,” its 10-year-old girl protagonist’s bike-owning dream was a simple yet powerful metaphor for what females were denied in the kingdom.
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“The Perfect Candidate” – It’s relative [MOVIE REVIEW]
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Mila Alzahrani in “The Perfect Candidate.” Photo courtesy of Music Box Films.
“The Perfect Candidate,” written by Haifaa Al Mansour and Brad Niemann and directed by Mansour, is a film with as many ambitions as the lead character. This German/Saudi Arabian co-production was primarily filmed in Saudi Arabia, in itself a major accomplishment. That the director is a Saudi woman making her second film in that country is even more extraordinary. In many ways this is Mansour’s love song to her native land and the remarkable changes that have occurred in recent years. That there is so far yet to go from a woman’s rights standpoint is not the point. A few years ago, none of the events in this film would have been possible, beginning with the opening scene of the lead character, a female doctor driving a car to work.
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