years later on the ride that we re all on now. who knew we would have to strap ourselves in even tighter? rashad, looking back at that moment, can you better understand how we got here? should think been more predictable than it was? well, frances, back during medieval times, you had a character called the jester. the jester was in charge of basically entertaining the kings and the noblemen. the jester was an entertainer. trump was an entertainer. so, he came down that escalator in trumpian fashion as a jester. we literally made the jester king in the united states of america. once he became president, or king, he did not shed his jester ways, but he remained as the entertainer as president. now, look at what he s done to republican politics. they are no longer the party of the fiscal conservative. they are no longer the party of family values, because when you re the president, you become the standard bearer for the political party that you represent. unfortunately, trump has been
the fashionable architects in italy s competing city states particularly in venice milan florence and pisa became some of the top earners of the renaissance. no longer nameless as they had been in the middle ages they were celebrated and pampered elites. venetian noblemen spend fortunes on palaces in the new style. architect antonio continue designed and built the bridge of sighs one of the most photographed motifs in the world. this new style of building became popular outside italy the city will in syria is a masterpiece of the late renaissance one hundred years earlier the sculptor and builder until an eastern man had built one of the most picturesque examples of italian renaissance village cern town hall in switzerland.
a wealthy man who travelled with companions and servants and who to the envy of some italian painters had ridden through rome on an equal footing with other noblemen. ruben s position gave him access to the leading art collections in italy. the rich and powerful furnished their residences with magnificent galleries like the trigona in the a feat see. contemporary art was displayed alongside works of antiquity. in his later paintings rubens would reference the pose of the famous medic venus. part of his unparalleled skill and his ability to transform a vast variety of stylistic influences from classical to contemporary into a personal style that was new and original. the
a wealthy man who travelled with companions and servants and who to the envy of some italian painters had ridden through rome on an equal footing with other noblemen giving. ruben s position gave him access to the leading art collections in italy. the rich and powerful furnished their residences with magnificent galleries like the tree in the feet see. contemporary art was displayed alongside works of antiquity. in his later paintings rubens would reference the pose of the famous medics civitas. part of his own parallel skill in his ability to transform a vast variety of stylistic influences from classical to contemporary into a personal style that was new and original. the
noblemen get. ruben s position gave him access to the leading our collections in italy. the rich and powerful furnished their residences with magnificent galleries like the trigona in the zero feet see. contemporary art was displayed alongside works of antiquity. in his later paintings rubens would reference the pose of the famous venus. part of his unparalleled skill and his ability to transform a vast variety of stylistic influences from classical to contemporary into a personal style that was new and original. the influence the moves if you have it s hard to overstate the influence of it early on rubens in it can t be summed up in a word. one could say that rubens the real rubens was born and julie.