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Hyperpop is hard to define – but you know it when you hear it. The sound has origins in the work of late producer and performer Sophie and PC Music founder AG Cook, who gained notoriety around 2013 for the rubbery, nonporous tracks they were making, which sounded more like pots and pans clattering in the other room. The genre has evolved since, and is typified now by the music of pop star-turned-avant-garde hero Charli XCX and the surrealist electronic duo 100 Gecs. A young American contingent is pushing it into a more visceral, less cerebral place, as influenced by pop-punk and rap as it once was by trance and Europop. The term itself first gained prominence after an official Spotify playlist catalogued the sound; now, “hyperpop” is a nexus point of a more disparate scene, an important platform for some and a bugbear for others.

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