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You could beat someone to death with that! Great theatre wigs – and their miraculous creators | Theatre

Few things in theatre are more transformative than a wig. But who makes them? Can they really be worth thousands? And what looks best on a beheaded tyrant? We meet the hairpiece heroes and their yeti-like creations

The Box of Delights at the Royal Shakespeare Theatre – review

Review: Beneatha s Place, at Young Vic Theatre

Review: Beneatha s Place, at Young Vic Theatre
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Beneatha s Place, Young Vic review – strongly felt, but uneven

Beneatha s Place, Young Vic review – strongly felt, but uneven
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King Lear, RSC, Barbican

At the conclusion of a year in which Britishness has come so resoundingly to the fore of the national debate – and with a play that at the time of its writing, 1605-6, was engaging with that concept no less urgently – the first impression made by Gregory Doran’s King Lear is how far removed it looks from any traditional sense of "British".

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