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Transcripts For CSPAN2 Booknotes 20131221

Why did you call your new book the girls in the balcony . The balcony is a wise about any of the National Press club. The institution until just 20 years ago. And win in 1955 the men decided that they would let anyone into cover to report on events, they put it in a very narrow, extremely uncomfortable about any at the far end of the ball room. Guest but just 20 years ago i was standing this that balcony. We could not ask questions, we were not allowed. It was, um, it was frustrating. And so one of the three women in the New York Times bureau told Scotty Rustin one day that she would not go there anymore and two other women, myself and Eileen Shanahan who covered finance and high economics, said that we wouldnt cover assignments there. Its very difficult, you know, because the newspaper business used to be kind of like the army. You were given an assignment, and you went on that assignment, and you did not discuss it, and you did not argue against it. And scotty could hardly believe th

Transcripts For CSPAN2 Booknotes 20140524

Altogether but what you have to do is you know educate people. I know that sounds very highminded and academic in the ivory tower and so on but this kind of exercise, you are not directed at those who are just really stuck in loathsome hatred. You are appealing to the broad middle center to educate. We are not underresourced in terms of Educational Programs about the holocaust and the world anywhere in the world. We shouldnt give up on it of course. Apparently im going to stop in the second. [laughter] yeah promises promises. Partly i made this program to change stereotypes because they are novel thing so highly emotional. We are going past a church one sunday that the sign outside saying 50dollar bonus for signing. He said shonda you cant schama you cant be an how bad can it be . Its disgusting that times are hard. So he goes off and 20 minutes later comes back and moshe said how wasnt . He said it was all right. And then he says 25 hime says thats all you jews think about, money, mon

How Tavares Strachan reimagined Leonardo s Last Supper – Repeating Islands

Jo Lawson-Tancred (Artnet) reviews the sculpture “The First Supper (Galaxy Black)” by Bahamian artist Tavares Strachan.  This monumental piece has been installed in the courtyard of The Royal Academy of Art as part of “Entangled Pasts, 1768-now: Art, Colonialism and Change,” which runs through April 28, 2024. [Also see previous post Entangled Pasts 1768-Now: Art,…

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