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I mean, if somebody hands someone else a gun who is an actor and tells them it s okay, whose fault is it? well, that that really could be, you know, manslaughter on the part of if person a and i don t know who person a is and i don t know if there is a person a but if person a hands a gun he or she knows contains an actual bullet to an actor, alec baldwin, and alec baldwin shoots someone. i could definitely see that person a had some criminal liability in terms of even something as as as significant as manslaughter. but, you know, as your previous guest discussed, you know, even on a low-budget film, it s complicated how proves move around, who s responsible. and the district attorney is going to have to do a very ....
In the in the industry that is have been here for a minute, it s evident when you read the script and, furthermore, when you see the storyboards, you understand what the vision of the film is and what they want to achieve. and and and what it ll take to achieve that. and then, i present those concerns and needs to usually, typically producers, producer staff. and those concerns are sorted. so, sort of an initial thing was, like, kind of a a passed off, we ll get to that. we ll have that conversation. that s negotiable. and you are at the point where you re doing the negotiation. so, kind of to say it is negotiable is a little bit arrogant and flippant. have you worked on i mean, i don t know if this is a low-budget film. i don t know where it stands in terms of budget. you know, obviously, they were they were having crew members drive all the way to albuquerque when much longer ....
Was, like, kind of a a passed off, we ll get to that. we ll have that conversation. that s negotiable. and you are at the point where you re doing the negotiation. so, kind of to say it is negotiable is a little bit arrogant and flippant. have you worked on i mean, i don t know if this is a low-budget film. i don t know where it stands in terms of budget. you know, obviously, they were they were having crew members drive all the way to albuquerque when much longer drive than santa fe so as i guess to save money on hotel rooms. is was this kind of in the realm of what happens on low-budget films? or was this, to you, more concerning than that? i mean, i you have experience on low-budget films, i assume? it it s all in the culture of the film and how the film is being rolled out and implemented. how it s being staffed, et cetera. ....
Authorities have already seized guns, boxes of ammunition, and spent rounds from the ranch. prop master neil zoromski says he walked away from a job to work on the movie because he could see the low-budget film was cutting corners. the dynamic that the producers were orchestrating was unsafe reporter: amid new calls for legislation that bans real weapons on sets, tonight a push to prevent another tragedy that comes too late after a scene here went terribly wrong here at the ranch, the preliminary investigation appears over tomorrow the sheriff will join the district attorney to lay out their case lester. all right miguel, thank you. authorities here and in europe have arrested 150 people in a big crackdown on illicit drug sales on part of the internet known as the dark net. more than $31 million in cash and cryptocurrency was seized in 14 states and 7 european countries. the suspects are accused of illegally selling fentanyl, ....
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