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Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, as well as the paper’s unofficial northern Peruvian cumbia ambassador, here with the week’s essential culture news.
Making the Latino central
Chon Noriega has led UCLA’s
Chicano Studies Research Center, an academic hub that was launched in the late 1960s, and that has been key to archiving Chicano historical documents, producing original scholarship and publications, and commissioning oral histories of important artists, activists and political figures. After 19 years, he is stepping down from that role though he will remain as a professor in the department of film, television and digital media.
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In Panorama City, there is a condo complex near the intersection of Van Nuys Boulevard and Nordhoff Street that you won’t ever find featured on fancy architecture websites. The development’s 18 units are clad in stucco and painted an unsympathetic shade of butterscotch. Each unit’s most prominent feature is the garage door. The aesthetics are somewhere on the continuum between homely and anonymous.
Yet I will argue that the design by an architect whose name has long been lost to the planning department is a prime example of density done intelligently and humanely. Each unit comes with a small enclosed patio for intimate family gatherings, while a shared lawn in the middle of the complex provides a green space and play area. Clusters of two-story units share walls and roofs, minimizing the architectural footprint and, therefore, sprawl. In addition, the development’s protected lanes are the perfect place for a kid to ride a bicycle away from speeding cars.