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The sacred and thesublime - The Hindu


The sacred and thesublime
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The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas
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The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas
How does one describe the sublime? It is the coming together of the aesthetic and ethical, it is the judicious combination of sensibility and representation, a feeling that releases the perceiver from the constraints of human condition to list a few. The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh, an annual festival of music hosted by Kala Academy, Goa, had many lofty moments that took the listener beyond form, beauty, feeling and rhetoric. Music rose above the ‘visible’ taking the listener to a noble and profound state of ....

Madhya Pradesh , Uttar Pradesh , Sangeet Samaroh , Ojas Adhiya , Cvenkatesh Kumar , Vishwanath Kanhere , Gandhar Deshpande , Prachi Jathar , Ravi Shankar , Kashyap Bandhus , Mallikarjun Mansur , Dattaraj Surlekar , Shalmalee Joshi , Sajan Mishra , Ram Deshpande , Shalmalee Joshi Yamani Bilaval , Malavika Kanan , Saskia Rao , Arvindkumar Azad , Gangubai Hangal , Sudanshu Kulkarni , Ajoy Chakrabarty , Anol Chatterjee , Puriya Dhanashri , Dayanidesh Kosambe , Shubhendra Rao ,

Musical tribute Kesarbai Kerkar; Pravin Barad, member secretary of Kala Academy; Shrimati Kesarbai Kerkar with Ustad Hafiz Ali Khan, Semangudi R. Srinivasa Iyer and Dwaram Venkataswamy Naidu presented by the President, Dr. Rajendra Prasad at a ceremony held in Rashtrapati Bhavan, New Delhi; Dattaguru Amonkar, programme and development officer; and chairman Govind Gaude of Kala Academy inaugurating the festival.Photos: Special Arrangement


Updated:
February 12, 2021 15:36 IST
The annual Sangeet Samaroh in Goa in memory of the legendary Kesarbai Kerkar is a homage to all the women who became colossal figures in classical music
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The annual Sangeet Samaroh in Goa in memory of the legendary Kesarbai Kerkar is a homage to all the women who became colossal figures in classical music
The brochure of Kala Academy’s recently concluded 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh in Goa introduces the incomparable Kesarbai thus: ‘Surashree Kesarbai Kerkar’s life was the enactment of a noble soul’s yearning for achieving musical perfection with perseverance and tenacity. Kesarbai was God’s gift to Goa’. ....

Andhra Pradesh , Nathan Khan Agrewale , Ustad Alladiya Khan , Vikku Vinayakram , Sukanya Ramgopal , Ustad Abdul Karim Khan , Jayanti Kumaresh , Jitendra Abhisheki , Ajay Naik , Dattaguru Amonkar , Prasad Sawkar , Nayaki Kanada , Dattibai Nageshkar , Mogubai Kurdikar , Alladiya Khan , Saraswatibai Jambavalikar , Nisar Hussain Khan , Anjanibai Malpekar , Umayalapuram Sivaraman , Kishori Amonkar , Surashree Kesarbai Kerkar , Sawani Nat , Kesarbai Kerkar , Bablibai Salgaonkar , Bhaskarbua Bakhale , Kala Academy ,

The fascinating story of Sophia Plowden, chronicler of Persian and Hindustani songs of nautch performers at 18th century Lucknow court


BN Goswamy
Among the British Library’s extraordinary collection of materials relating to the history of Indian music in the eighteenth and early nineteenth centuries lie dozens of European accounts of the nautch intimate musical parties at which troupes of high-status North Indian courtesans would sing, dance, recite poetry, and match wits with the assembled company, often to mark special occasions.
Note on a performance at the British Library (2018)
A nautch troupe. From the Skinner album in the British Library, London.
Having read, and sometimes written on, many accounts of Europeans, including Englishmen, who came and lived in India in the 18th century, I was often struck by how little interest, serious interest I mean, they took in Indian music. This, despite some visual evidence that has survived showing men like the British General, Sir David Ochterlony, and the Swiss engineer/adventurer, Antoine Polier, seated more or less Indian fashion on the floor, ....

United States , Uttar Pradesh , United Kingdom , West Bengal , City Of , Mirza Sauda , Katherine Butler Schofield , Mirza Muhammad Rafi Sauda , Jane Chapman , Khanum Jan , Antoine Polier , David Ochterlony , Kesarbai Kerkar , Gangubai Hangal , Sophia Plowden , British Library , India Company , Fitzwilliam Museum In Cambridge , North Indian , British General , Sir David Ochterlony , Katherine Butler , East India Company , Col Polier , Mirza Muhammad Rafi , William Hamilton Bird ,

How should musicians react when politicians disrupt concerts?


Kesarbai Kerkar.
Kesarbai Kerkar, one of the most prominent vocalists of the Jaipur-Atrauli gharana, was known as much for her genius and brilliance as she was for her mercurial temper and her ability to publicly downsize those she felt were a nuisance.
One such account that old-timers always narrated concerned a certain minister who received a message from his secretary just as Kerkar’s concert was about to begin. Not one to be held back, she chastised the minister in public and informed him that this was her performance space and not his office. She made it amply clear that he would have to leave or then sit through the concert. To his credit, the minister did not leave the venue. ....

Madhya Pradesh , Uttar Pradesh , Tansen Samaroh , Kramik Pustak Malika , Madhya Pradesh Sanskriti Parishad , Jyotiraditya Scindia , Kesarbai Kerkar , Vishnu Narayan Bhatkhande , Department Of Culture , Member Of Parliament , Ustad Allauddin Khan Sangeet Kala Academy , Bharatiya Janata Party , Indian National Congress , Indian Culture , Indian Classical Music , Hindustani Music , மத்யா பிரதேஷ் , உத்தர் பிரதேஷ் , டான்சன் சமரோ , மத்யா பிரதேஷ் சான்ஸ்கிரீதி பரிஷாத் , ஜயொதிரதித்ய சிந்தியா , கேசர்பாய் கேர்கார் , விஷ்ணு நாராயண் பாடகாந்தே , துறை ஆஃப் கலாச்சாரம் , உறுப்பினர் ஆஃப் பாராளுமன்றம் , உஸ்ட்ட் அல்லாவுதீன் காந் இசை கலா கலைக்கழகம் ,