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New Songs: Kamasi Washington, Pardoner, Arcadia Grey, more

New Songs: Kamasi Washington, Pardoner, Arcadia Grey, more
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Midnight Sister on Painting the Roses | Under the Radar Magazine

Midnight Sister’s Juliana Giraffe and Ari Balouzian met while making a low budget film called El Camino Real, a surrealistic tale of starry-eyed Hollywood dreams that inevitably ends in some kind of nightmare scenario. Its shoestring budget suggests it could have been made somewhere during cinema’s silver age, if not for the mischievously hammy performance of Giraffe. Peculiarly enough, El Camino Real also borrows elements of Terry Gilliam’s dystopian masterpiece Brazil, another film in which the protagonist escapes into an unattainable fantasy.

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Midnight Sister

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Segments: International Pop Underground: Midnight Sister s Music Summons Movies & Mystique — Triple R 102 7FM, Melbourne Independent Radio

Interview Midnight Sister s debut LP, 2017 s Saturn Over Sunset, felt like some lost classic from the moment it came out. Matching the adrogynous vocals of Juliana Giraffe to the giddy, woody orchestrations of Ari Balouzian, the Los Angeles duo created a stirring sound that felt out-of-time, and out-of-place, in the digital era. It was a debut that was at once experimental and pop, slyly funny whilst heartbreakingly beautiful. The album was, lyrically, full of colourful characters and fictional narratives. And these songs were matched to a host of striking visuals, both still and in music-video form, which led to the feeling that the music was cinematic; that it felt like some strange, old, psychedelic movie.

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Zayn pops up, and Barry Gibb goes country: 5 new releases we love

[RCA Records] Former One Directioner Zayn Malik may be continuing his concerted effort to distance himself from his boy band roots, but there’s still one trait he thankfully hasn’t left behind: His penchant for serious sentimentality. His debut album Mind Of Mine may have confirmed as much, but the 11 tracks of his third offering, Nobody Is Listening, really drive home Malik’s long-established, swoon-inducing persona. Second single “Vibez” maintains the proficiency with gauzy orchestration and laid-back vocals the kind that exists in the convenient pocket between pop and R&B. However, this collection plays in the rhythmic sandbox to further expand his sound, exploring bluesy melodies that reflect a modern, lo-fi soundscape one moment (“Better”) and vintage, Phil Collins-esque vibes the next (“Sweat”). What makes this particular jaunt a real treat is when he abandons his understated vocal proclivities for a fuller, wholly vulnerable display like “River Road,�

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