Midnight Sister on Painting the Roses | Under the Radar Magazine

Midnight Sister’s Juliana Giraffe and Ari Balouzian met while making a low budget film called El Camino Real, a surrealistic tale of starry-eyed Hollywood dreams that inevitably ends in some kind of nightmare scenario. Its shoestring budget suggests it could have been made somewhere during cinema’s silver age, if not for the mischievously hammy performance of Giraffe. Peculiarly enough, El Camino Real also borrows elements of Terry Gilliam’s dystopian masterpiece Brazil, another film in which the protagonist escapes into an unattainable fantasy.

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