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The women behind the murderesses of the Cook County Jail are both strikingly nondescript and yet embody an easily recognizable archetype. Almost costumes of femininity, exaggerated like a drag queen, a siren-like light illuminating them from behind, outlining the bars behind which they stand and pose, these ladies’ aesthetics of gender are heightened despite the fact that they have no name, no face, and beyond the blackness of the outline, no identity. During the “Cell Block Tango,” they are there to intensify the sensuality of the primary women in the number, whose dysfunctional and abusive relationships are performed and rewritten as vaudeville dance and striptease. Their heels are ludicrously large, and there’s an implication of nudity, clearly suggesting that these light fixtures in the background of this musical number in Rob Marshall s “Chicago” are movie musical versions of window prostitution, articulating an uneasy relationship that the film itself has with it ....

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