robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
i know your work well, signor. do you know, i-i actually compose some variations on a melody of yours? oh, really? which one? mio caro adone . well, i m flattered. a funny little tune, but it yielded some good things. the protagonist of the movie is not mozart. the protagonist of the movie is salieri, who is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart, who does. shouldn t it be a bit more or this? this. yes. the most intelligent and rational individual in the movie is the jealous figure who isn t particularly talented, and the least rational and mature figure in the movie is the genius. when i saw amadeus, there
These are substantial movies by great film makers. you have the last emperor and you have ragtime, and there was gandhi which came out in 1982. we must defy the british. a lot of people were rooting for e.t. the extraterrestrial to win best picture, but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a meditational genius. i know you work well, senor. do you know i actually composed some variations on a melody of yours. really? which one? mio caro adonne. i m flattered. a funny, little tune. but it yielded good things. the protagonist is not mozart and he is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart who does. shouldn t it be a bit more or this?