Page 3 - Isabelle Graw News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Stay updated with breaking news from Isabelle graw. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.

Top News In Isabelle Graw Today - Breaking & Trending Today

Ian Wallace on Isabelle Graw's Three Cases of Value Reflection: Ponge, Whitten, Banksy (2021)


Three Cases of Value Reflection: Ponge, Whitten, Banksy (2021)
Banksy, Love Is in the Bin, 2018, aerosol paint, acrylic paint, canvas, board, 40 x 31 x 7 . Photo: Jack Taylor/Getty Images.
Isabelle Graw,
ISABELLE GRAW’S oft-cited 2009 book,
High Price, which explores art’s economy of fame and prestige as the prototype for creative labor under capitalism, was published just after the collapse of a speculative bubble in the market for contemporary art. Now, roughly a decade later,
Three Cases of Value Reflection: Ponge, Whitten, Banksy arrives contemporaneously with a series of meteoric high-dollar sales of NFTs (“nonfungible tokens”), a class of digital nonobjects that seems to reduce art to pure speculative value and the subject of a market bubble that seems to have burst with unusual speed. The idea that a work of art need not take material form at all is not particularly novel, nor is the idea that such a work might be bought or sold. The NFT phe ....

New York , United States , France General , Jack Whitten , Isabelle Graw , John Berens , Ian Wallace , Jack Taylor Getty , Francis Ponge , Jane Bennett , Hauser Wirth , Marcel Mauss , Jean Fautrier , Muhammad Ali , Three Cases , Value Reflection , Banksy Berlin , Sternberg Press , High Price , Success Medium , Black American , Memorial Paintings , Jack Whitten Estate , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , பிரான்ஸ் ஜநரல் ,

Gabriel J. Shuldiner: The Poetry of Black — Raphy Sarkissian


Gabriel J. Shuldiner: The Poetry of Black Raphy Sarkissian
/
/
“Can there be a more hypnotic colour than black?” is a question that impulsively arises when we encounter a work by Gabriel J. Shuldiner, who has been unceasingly employing this achromatic colour in his unconventional paintings for the past decade and a half. Indeed, the evocative paintings of Shuldiner can be read as relief sculptures, where surface and space are in arresting dialogue. In many instances, the flatness of the painting’s surface has been entirely disrupted and reformulated through chaotic forms that emphatically protrude and recede. In other instances, the quadrilateral frame has been thoroughly contravened through formlessness. Often, both frame and surface have been rendered shapeless, as if to implode the inadequate lexical term “black” and majestically transcend its semantic value through ever-changing achromatic phenomena revealed upon iridescent, cambered bodies mounted o ....

New York , United States , France General , Museum Of Modern Art , Languedoc Roussillon , Anish Kapoor , Gabrielj Shuldiner , Isabelle Graw , George Sand , Pierre Soulages , Dan Walsh , Jacquelinee Jung , Jonas Wood , Lee Bontecou , Rachel Lee Hovnanian , David Novros , Jacqueline Lichtenstein , Harold Rosenberg , Sean Scully , Centre Pompidou , Los Angeles County Museum Of Art , School Of Visual Arts , David Richard Gallery , Modern Art , Late Roman , Ellsworth Kelly ,