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DMA Exhibit Explores Postwar Era Art | People Newspapers

DMA Exhibit Explores Postwar Era Art | People Newspapers
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New York , United States , Soult Ukpyolsi , South Korea , Rio De Janeiro , Estado Do Rio , Mexico City , Distrito Federal , Buenos Aires , Sam Francis , Chung Chang , Jack Whitten , Vivian Li , Fred Eversley , Virginia Jaramillo , Michel Tapi , Lygia Clark , Mira Schendel , Antonio Fern , Hauser Wirth , Clark Bicho , Anna Katherine Brodbeck , Ed Clark , Robert Rauschenberg , Clemente Orozco , Sam Gilliam ,

Ian Wallace on Isabelle Graw's Three Cases of Value Reflection: Ponge, Whitten, Banksy (2021)


Three Cases of Value Reflection: Ponge, Whitten, Banksy (2021)
Banksy, Love Is in the Bin, 2018, aerosol paint, acrylic paint, canvas, board, 40 x 31 x 7 . Photo: Jack Taylor/Getty Images.
Isabelle Graw,
ISABELLE GRAW’S oft-cited 2009 book,
High Price, which explores art’s economy of fame and prestige as the prototype for creative labor under capitalism, was published just after the collapse of a speculative bubble in the market for contemporary art. Now, roughly a decade later,
Three Cases of Value Reflection: Ponge, Whitten, Banksy arrives contemporaneously with a series of meteoric high-dollar sales of NFTs (“nonfungible tokens”), a class of digital nonobjects that seems to reduce art to pure speculative value and the subject of a market bubble that seems to have burst with unusual speed. The idea that a work of art need not take material form at all is not particularly novel, nor is the idea that such a work might be bought or sold. The NFT phe ....

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America the grave – 'Grief and Grievance' at the New Museum


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Is it having to wear a mask or the art itself that makes ‘Grief and Grievance’ at the New Museum such an exhausting show? After a couple of hours, it’s hard to breathe. Judging by the number of visitors dabbing at their eyes, it’s hard not to cry too. Subtitled ‘Art and Mourning in America’, the exhibition was conceived by Okwui Enwezor as a response to Donald Trump’s ugly rhetoric around race, what the Nigerian-born curator believed was not just an indifference to Black American grief but a weaponisation of white grievance. More melancholy: Enwezor died in 2019; the show has been brought to completion by the New Museum’s artistic director Massimiliano Gioni working with artist Glenn Ligon and curators Mark Nash and Naomi Beckwith. ....

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