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On April 23, the Fifty-Ninth Venice Biennale will open to the public, curated by Cecilia Alemani a veteran of the show, having organized the Italian pavilion in 2017. Titled “The Milk of Dreams,” after a series of drawings the artist Leonora Carrington made during her time in Mexico in the 1950s, this edition arrives a year later than planned, its opening postponed due to the worldwide Covid-19 crisis. Artforum editor David Velasco spoke with Alemani over Zoom in February, then revisited the conversation over email in early March to address the Biennale’s role in light of Russia’s extraordinary

New yorkUnited statesNoord hollandSalvador allendeVastra gotalands lanCecilia vicuEnwezor documentaHendrik zeitlerLeonora carringtonMassimiliano gioniSilvia federiciSimone leighWu tsangBarbara krugerOkwui enwezorCecilia alemani