AT THE DAWN OF THE CENTURY, no special sign presaged Sharjah’s rise to its present status as an artistic incubator and arguably today’s most influential hub of research and creation focused on what is now called the Global South. Yes, its ruler, Sheikh Sultan bin Muhammad Al Qasimi, launched the Sharjah Biennial in 1993. But in its early editions, the exhibition was relatively staid, presenting neo-modernist art from Arab and Muslim countries on the national-pavilion model. Compared with glitzy Dubai, the city of Sharjah, capital of the eponymous emirate, was (and remains) low-rise and conservative
On April 23, the Fifty-Ninth Venice Biennale will open to the public, curated by Cecilia Alemani a veteran of the show, having organized the Italian pavilion in 2017. Titled “The Milk of Dreams,” after a series of drawings the artist Leonora Carrington made during her time in Mexico in the 1950s, this edition arrives a year later than planned, its opening postponed due to the worldwide Covid-19 crisis. Artforum editor David Velasco spoke with Alemani over Zoom in February, then revisited the conversation over email in early March to address the Biennale’s role in light of Russia’s extraordinary