robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Drama about a man who s wrestling with his dad s legacy, who feels like he has to be phony in front of all these military guys he s trying to impress. it s really a movie about masculine performance. tom cruise s decisions post- top gun really tell you who he is and who he wanted to be. you re some piece of work. i m some piece of work. you re also a natural character. i ve been telling her that. you know, i got natural character. no. that s not what i said, kid. i said you are a natural character. you re an incredible flake. paul newman and tom cruise had the old and the new. this was kinda like a sequel to the hustler. let s see some heavy legend action here. paul newman in character, he s a hustler. he s always going to hustle. what if he takes this young kid under his wing and corrupts him, and then he gets hustled? i showed you all i got. i showed you my ass in here. now what the [bleep] else you want? that s it!
i ve been telling her that. i have natural character. that s not what i said, kid. i said you are a natural character. you are an incredible flake. tom cruise, had the old and the new. this was the sequel to the hustler . paul newman s character, he s a hustler. he s always going to hustle. what if he takes this young kid under his wing and corrupts him? and then he gets hustled? i showed you all i got. what the hell else do you want? that s it. that s all! tom cruise is terrific. newman finally gets an oscar for it. tom cruise has a very specific agenda in his career, to spend the 80s working with the best directors he can find and so he s going to work with scorcese and barry levinson. i m not going to go back to cincinnati. you don t have to go to cincinnati to pick up boxer shorts. what did i say? kmart. you hear me, i know you hear me. you don t fool me with this