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That they get on the big screen. we want as many people to be able to try and find them in that form as possible, and then they very naturally go onto all these ancillary formats that are wonderful. i ve grown up in the home video age, starting with vhs and all the rest. and the access that that gives you to movies from streaming these days is incredible. it s absolutely wonderful. but the theatrical experience is what we re aiming for as filmmakers and the theatres. they need to be helped in that regard. and there s an irony here in the uk, i think that cinemas are closing, as i said, but the film industry in the uk is exploding in terms of studios being built and films being shot here. but you barely come here to shoot. i think, i know you shot the odd thing in the uk. the odd bit of a film. why is that? you know, it sjust about what the particular demands of the film are. you know, when we were making dunkirk, you know, the film set in france. we wanted to be there on the real beach ....
Well, if you say to wall street, we re going to smash the theatrical window and we re going to give the consumer what they want and blah, blah, blah. it sounds good. and maybe the share price goes up, but it s not good for the health of cinemas. every other business will and every other business understands that the restriction of supply to tune it to demand. whether you re talking about the publishing industry, where the hardback comes out a year before paperback, etc, etc. the diamond industry, debeers famously controlling the supply of diamonds. you don t just throw your products out willy nilly and allow everybody to choose how to view them. that s not it s not the best business model. if you re interested in making money. for a filmmaker, it s not the best model because we make films for the big screen and we want to maximise the length of the run that they get on the big screen. we want as many people to be able to try and find them in that form as possible, and then they very na ....
To try and find them in that form as possible, and then they very naturally go onto all these ancillary formats that are wonderful. i ve grown up in the home video age, starting with vhs and all the rest. and the access that that gives you to movies from streaming these days is incredible. it s absolutely wonderful. but the theatrical experience is what we re aiming for as filmmakers and the theatres. they need to be helped in that regard. and there s an irony here in the uk, i think that cinemas are closing, as i said, but the film industry in the uk is exploding in terms of studios being built and films being shot here. but you barely come here to shoot. i think, i know you shot the odd thing in the uk. the odd bit of a film. why is that? you know, it sjust about what the particular demands of the film are. you know, when we were making dunkirk, you know, the film set in france. we wanted to be there on the real beach and then the bit set in the uk, we filmed those parts, but most of ....