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Authorizing the release of certain grand jury materials in the case. For the u. S. Department of justice, mr. Letter. Judge rogers good morning. Good morning, your honor. The District Court, so this court could have an opportunity to review the import questions of the day. The court denied that motion, even though it is clear that once the issues are disclosed, they cannot be undisclosed. Nrungell cannot be ou afterthefact. The court denied that motion on the left because of merit, but as we explained, the District Court committed at least two serious errors of law in granting the request. Judge griffith you can start with irreparable harm. It is the case that if we agree with the District Court, the irreparable harm is not that important. Mr. Freeman i disagree with that. Our intention in the case judge griffith you tho ....
The Best of 2023, as Decreed by Our Contributors - The Comics Journal tcj.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tcj.com Daily Mail and Mail on Sunday newspapers.
/PRNewswire/ Stone Hollow Press takes first step in children s picture book publishing by combining human writing with computer generated images. The. ....
giantrobot.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from giantrobot.com Daily Mail and Mail on Sunday newspapers.
(Compli)cities: A Review of Aimee Louw’s “Less Sweet Than Chocolate or Concrete” Home > Reviews > Poetry > (Compli)cities: A Review of Aimee Louw’s “Less Sweet Than Chocolate or Concrete” Less Sweet Than Chocolate or Concrete by Aimee Louw Frog Hollow Press, 2020 “ Crip Poetics is my thesis title / I don’t really know what poetics means.” So ends the penultimate poem in Aimee Louw’s new chapbook, Less Sweet Than Chocolate or Concrete, a recent addition to Frog Hollow Press’ Dis/Ability series. While it’s clear that Louw is an experienced poet and could probably articulate a convincing definition of “poetics” if necessary, a rejection of “mastery”––of writing with performative authority––pulses at the heart of this collection. Instead, these poems ask radical questions about complicity and belonging––all while inhabiting the tension of calling for “equal access” as a settler with a disability on unceded land, ....