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DownBeat Reviews


Whereas Sun Ra was fond of saying, “Space is the place,” for the members of Trio Tapestry saxophonist Joe Lovano, pianist Marilyn Crispell and drummer Carmen Castaldi a more appropriate mantra might be, “Space is the
thing.”
Garden Of Expression, the trio’s sophomore effort, has all kinds of space: Space between notes, space to stretch out and space for reflection. Even the audio itself revels in spaciousness, thanks to the reverberant acoustics of the Auditorio Stella Molo RSI in Lugano, Switzerland, where even whispered notes are unexpectedly resonant.
A good bit of the album’s airiness can be ascribed to Lovano’s writing. Lean and suggestive, the tunes here tend toward leisurely, well-spaced shards of song, melodic patterns that hang in the air like questions. “Chapel Song,” which opens the album, starts with the saxophonist intoning a simple, prayerful melody, his sound light and breathy, his phrasing strongly vocalized. Crispell’s piano fill ....

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Joe Chambers –
Samba de Maracatu (Blue Note): “On Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone.  Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt’s piano accompaniments and solos. While Samba de Maracatu isn’t a Brazilian jazz album in this strictest sense, Chambers utilizes various rhythms and indigenous Brazilian percussion instruments on several pieces, including the title track, which references the syncretic Afro-Brazil rhythms that were originated in the north-east region of Brazil.” (http://www.bluenote.com/joe-chambers-samba-de-maracatu-out-feb-26/) Chambers offers three original songs and spreads out creating waves of music from comrades including Bobby Hutcherson’s ”Visions”, Horace Silver’s “Ecaroh” and Wayne Shorter’s “Rio” and also reaches out for a few deep standards including “You And The Night And The ....

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