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Whereas Sun Ra was fond of saying, “Space is the place,” for the members of Trio Tapestry saxophonist Joe Lovano, pianist Marilyn Crispell and drummer Carmen Castaldi a more appropriate mantra might be, “Space is the thing.” Garden Of Expression, the trio’s sophomore effort, has all kinds of space: Space between notes, space to stretch out and space for reflection. Even the audio itself revels in spaciousness, thanks to the reverberant acoustics of the Auditorio Stella Molo RSI in Lugano, Switzerland, where even whispered notes are unexpectedly resonant. A good bit of the album’s airiness can be ascribed to Lovano’s writing. Lean and suggestive, the tunes here tend toward leisurely, well-spaced shards of song, melodic patterns that hang in the air like questions. “Chapel Song,” which opens the album, starts with the saxophonist intoning a simple, prayerful melody, his sound light and breathy, his phrasing strongly vocalized. Crispell’s piano fill ....
Joe Lovano interview: “We have to emerge from this with a different perspective on the whole process of creating music, but not in a commercial way, in a spiritual way” Joe Lovano interview: “We have to emerge from this with a different perspective on the whole process of creating music, but not in a commercial way, in a spiritual way” Stuart Nicholson Monday, February 22, 2021 Joe Lovano’s career to date has seen him gradually emerge as one of the most subtle and adventurous innovators of his generation. Stuart Nicholson spoke to this gentle giant of the tenor about his new Trio Tapestry album, Garden of Expression ....
Joe Lovano Trio Tapestry: Garden of Expression review – a jazz unit with total empathy John Fordham The Cleveland-raised saxophonist Joe Lovano comes from a jazz tradition that extols blowing a lot of notes, fast and loud. He grew up on his saxophonist father’s stories of what it felt like to jam with John Coltrane, but also in a Sicilian-American household that revered the operatic tenor legend Enrico Caruso – experiences that nurtured an appreciation of virtuosity and the subtleties of nuance and timbre. Now, after more than four jazz-star decades that have seen him considered one of Sonny Rollins’ heirs (and a collaborator with originals from Bill Frisell and Elvin Jones to Esperanza Spalding), Lovano’s Trio Tapestry explore delicate distillations of the musical resources that all three members have often individually set loose with warp-speed intensity. ....