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Alexander Calder: Calder. Sculpting Time - Announcements

Until October 6, MASI Lugano presents Calder: Sculpting Time, the first comprehensive monographic exhibition in a Swiss public institution devoted to Alexander Calder in nearly fifty years. ....

New York , United States , France General , Marcel Duchamp , Jean Arp , Galerie Percier , Alexander Calder , James Johnson Sweeney , Calder Foundation , Until October , Sculpting Time , Pierre Matisse Gallery , Red Lily Pads , Funghi Neri ,

Major show featuring more than 100 works by Alexander Calder and Pablo Picasso opens at the High Museum of Art


Major show featuring more than 100 works by Alexander Calder and Pablo Picasso opens at the High Museum of Art
Alexander Calder, La Grande Vitesse (1:5 intermediate maquette), 1969, sheet metal, bolts, and paint, Calder Foundation, New York. © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo courtesy of Calder Foundation, New York/Art Resource, New York.
ATLANTA, GA
.- Alexander Calder and Pablo Picasso are two of the foremost figures in the history of 20th-century art. The touring exhibition “Calder-Picasso,” which debuted at the Musée national Picasso-Paris and is on view at the High Museum of Art this summer (June 26-Sept. 19), reveals the radical innovations and enduring influence of these two artists through more than 100 paintings, sculptures and works on paper spanning their careers. ....

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How Calder transfixed Albert Einstein and Sartre – The Forward


As a teenager I would often mistake Alexander Calder’s work for that of Joan Miró and sometimes even Picasso. Bold, playful and abstract, the sculpture of these three art giants appeared interchangeable. Visits to Fundació Joan Miró in Barcelona and Musée Picasso in Paris only seemed to confirm Calder’s European influences, even though the darker elements at play in their work seemed absent from his own. Being introduced to the wire lion tamers and acrobats in his “Cirque Calder” several years ago in the lobby of New York City’s Whitney Museum, at that time in Marcel Breuer’s brutalist edifice, reinforced that European connection. It also reminded me of another: Calder’s enormous, red “Flamingo” in front of Mies Van der Rhoe’s Kluczynski Federal Building in Chicago. ....

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