Until October 6, MASI Lugano presents Calder: Sculpting Time, the first comprehensive monographic exhibition in a Swiss public institution devoted to Alexander Calder in nearly fifty years.
Titled “Gilles Aillaud: Animal politique” (Political Animal), the exhibition is brilliantly curated by Didier Ottinger with Marie Sarré and beautifully installed in a remarkable scenography by Pauline Phelouzat.
IT TOOK MARCEL DUCHAMP exactly one year, from Sonate (Sonata) in August 1911 to Mariée (Bride) in August 1912, to make his way through Cubism. He had been a rather…