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New play 'Ursula' about children at the U.S. border to stream on demand – People's World

Frida Espinosa Müller / Morgana Wilborn
The city of Los Angeles’ Latino Theater Company is partnering with Cara Mía Theatre in Dallas to stream Cara Mia’s world premiere production of
Ursula, written, performed, and directed by Mexican-born theater artist Frida Espinosa Müller. Müller’s extraordinary performance as an unaccompanied minor arriving at the U.S.-Mexican border will stream on demand from May 20 through May 30. A moderated online panel will discuss the immigration crisis through the lens of Central America, Mexico, and the United States on Tues., May 25 at 5 p.m. PT / 8 p.m. ET. Audiences can watch both ....

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Latino Theater Company Streams Cara Mía Theatre's World Premiere Production Of Tragically Relevant URSULA

L.A.'s Latino Theater Company is partnering with Cara Mía Theatre in Dallas, TX to stream Cara Mia's world premiere production of Ursula, written, performed and directed by Mexican-born theater artist Frida Espinosa Müller. Müller's extraordinary performance as an unaccompanied minor arriving at the U.S.-Mexican border will stream on demand from May 20 through May 30. ....

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'La migración tiene rostro de niños', reflexiona Rigoberta Menchú tras presentación de 'Ursula' en Dallas

'La migración tiene rostro de niños', reflexiona Rigoberta Menchú tras presentación de 'Ursula' en Dallas
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Cara Mía Theatre and Teatro Dallas Celebrate Spring with Interactive Carnival Procession

“We have a lot of shared values in terms of our work with the community,” Cardona said. “We thought, ‘How can we pull our resources together to address this since we’re already doing it separately?’”
The theater companies are using the outdoor event to bring the community together safely and celebrate the renewal of spring. “In traumatic times, our communities have often already in a natural way sought joy and levity and humor as a way of dissipating a lot of stress,” Cardona said. “In times of pandemic during the medieval time period and across the world, there was a need for theater at its most fundamental way, which is to decompress the mind, take it offline by doing things that are very physical.” ....

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