The WZB, conceived a year later as part of the Internationale Bauausstellung (IBA) program, seemed to breach the codes of modernism even further. Its pavilions, diagramming historical building types, decked out in bright pink and blue stripes, and huddled behind an ornate late-nineteenth-century entrance block, seemed to many British and European critics to be a betrayal of the ethic of the Modern Movement.
Rome
Lazio
Italy
Greece
Sweden
Berlin
Germany
United-kingdom
France
Enschede
Overijssel
Netherlands