The WZB, conceived a year later as part of the Internationale Bauausstellung (IBA) program, seemed to breach the codes of modernism even further. Its pavilions, diagramming historical building types, decked out in bright pink and blue stripes, and huddled behind an ornate late-nineteenth-century entrance block, seemed to many British and European critics to be a betrayal of the ethic of the Modern Movement.
Saint Laurent’s Spring/Summer 2024 show was an ode to the designer’s view of women as figures of power, fusing elegance with practicality, fashion with freedom, writes Alexander Fury