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Okay, I don’t want to be a traitor to my generation and all, but I really don’t get how people dress today. To lift another phrase from Cher Horowitz, fashion is coming out of an “ickiness” period, one dominated by home clothes and general dishevelment. If the brassy protagonist of Clueless can teach us anything, it’s that what we wear can be a transformational and purposeful act. So what a delight it is to see Alicia Silverstone, the actress behind Cher’s cattily wholesome persona, sun-kissed and smiling in Rodarte’s fall 2021 look book and film, alongside Aurora James, Heather Kemesky, and other models. The campy, kitschy teen world of Amy Heckerling’s 1995 classic might seem miles away from the broody gothicism often associated with Rodarte, but Kate and Laura Mulleavy grew up on ....
trop sportif and trop française. That’s a clutch position for a fashion house in these times. It also has the benefit of the well-dressed Louise Trotter at its helm. For those not lucky enough to have met Trotter in person, let me paint a picture: She is the woman in a slouchy polo, mannish trousers, white sneakers, and aviator glasses that makes you pinch yourself in a jealous rage when you pass her on the street or are seated next to her at a dinner. Someone who is calmly unstudied, comfortable, and totally not try-hard. Suffice to say, Trotter has long understood the benefits of generous, easy to wear clothing with arty touches in the form of a funny, albeit small, graphic or the juxtaposition of sorbet colors. ....
The fall 2021 season has been going on for about three months, and like any person who has given up the peppy rhythm of life for lockdown languishing, I have been crankily wondering: What is the point of all this? Then I talked to Caroline Hù. On a late-for-me, early-for-her video chat between Brooklyn and China, Hù echoed my sense of malaise. “Everything is about waiting,” she said. “Love, work, health… my mood is waiting.” But rather than sulk, Hù is keeping the flame of inspiration burning. “I just want to express something about myself,” she said. “There are no dreams in this collection. It’s all about me.” All about Caroline, in a way, is all about all of us: waiting, wondering, wanting. ....