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And make sure that they get exactly what they need. The chair would like to recognize the gentleman from oregon, mister schrader. Is he available . Not seeing or hearing him. The chair recognizes Mister Kennedy. Mister kennedy available . Not in his chair. Then the chair will recognize thegentleman from New Hampshire , miss custer or five minutes of questions. You need to unmute. You. Thank you very much. Thank you madam chair. I appreciate this hearing and i appreciate the opportunity to address you on this important issue. Here in New Hampshire weve had a dramatic increase. Depression, anxiety, trauma and grief as a result of covid and we are struggling as well with changes to the Economic Impact on our Heal ....
Mcmillan. With all of those things going on, it became a case that was too irresistible to walk away from. The final thing, and this is one of the reasons i was interested in doing a book project is case took place in alabama which is where harper lee grew up and wrote to kill a mockingbird. Everyones read it. Its a beautiful story. The people in monroeville love the story. Theres boo radley street, scout street, atticus bench, all through the community. Yet, when i started saying, look we have an innocent black man wrongly convicted of a crime people had no interest in that. It was a bit surreal to be in this space where they were celebrating this story and watching such an incredibly vicious prosecutors and take place. One of the challenges is that we had narratives in American Literature that we celebrate for the wrong reasons. We give out these awards, the Atticus Finch ....
My question is having each of you work throughout your lives on some pretty small to i ammely large films, curious. How have you been able to preserve your own comedic voice in this plethora of media, and where are you willing to compromise . Us, with movies i think there is a temptation to try to acquire as much money for your budget as humanly possible. Its a sign of success on the surface in hollywood, if you thatspensive movies, the upper echelon. If you make cheaper movies, you are the lower echelon. The unspoken implication is you want to be making bigger, more expensive movies. When we were getting more successful, thats exactly what we did. Were able to make a 150 150 Million Dollar movie, so we did. We quickly found that budget robbed us of everything that made us creatively valuable, and everything we enjoyed most about the process itself. If we think of a new idea, we can do it. If someone takes of a joke, we can do it. ....