clark: slowly but surely, the 1970s are disappearing. the 1980s will be upon us. what a decade it is coming up. happy new year! [ cheers and applause ] auletta: as you begin the 80s in the television world, the landscape was, on any given evening, 9 out of 10 people were watching ononly one of f three netwtwork. more thahan 30 millilion peope are addicted to o it. social critics are mystified by its success. what is it? it s television s prime-time, prairie pot boiler, dallas. bobby:y: a move lilike thatl deststroy all ofof ewing , and it l ll ruin our familyly name. i assure y you, a thouought le that nevever crosseded my mind. brotheher or no brbrother, whatever i it takes, i llll stop you u from destrg ewewing oil. dalallas realllly did estatah new ground in termsms of the weweekly, one hour s show thatat literallyly captivated amererica for 1313 years. dallas is a television s show whwhich in somome ways is s rd in t the 1970 ss and onone of the c crazy thins that
seen her excel on stage and screen from comedies to musicals. increasingly, she s written and created her own shows. is that the pathway to empowerment in an industry where actors can be just another commodity? jane horrocks, welcome to hardtalk. thank you very much. it is great to have you in the studio. you have been in this acting business for almost four decades. i wonder when you think about your own career, do you feel that you very consciously shaped it or is it more a question of serendipity and stuff thatjust happened? i think there is a lot of both actually, yes. i think i did engineer quite a lot of it in that my choices were very specific but certain things happened at a certain time that kind of formed it as well. and when you think about the big choices, the key choices, that you made that were instrumental in shaping your career, what would you point to? i think probably the biggest choice that i made was leaving the rsc. the royal shakespeare company? yes, whi
jane horrocks, that her acting career has spanned four decades and has seen her excel on stage and screen from comedies to musicals. increasingly, she s written and created her own shows, is that the pathway to empowerment in an industry where actors can be just another commodity? jane horrocks, welcome to hardtalk. thank you very much. it is great to have you in the studio. you have been in this acting business for almost four decades, i wonder when you think about your own career, do you feel that you very consciously shaped it or is it more a question of serendipity and stuff thatjust happened? i think there is a lot of both actually, yes. i think i did engineer quite a lot of it in that my choices were very specific but certain things happened at a certain time that kind of formed it as well. and when you think about the big choices, the key choices that you made that were instrumental in shaping your career, what would you point to? i think probably the biggest choice th
it s a time of enormous turmoil. shut up in here. the 60s are over, dad. here s michael at the foul line, a shot on ehlo. good! [ laughs ] we intend to cover all the news all the time. we won t be signing off until the world ends. isn t that special? any tool for human expression will bring out both the best and the worst in us, and television has been that. they don t pay me enough to deal with animals like this. people are no longer embarrassed to admit they watch television. we have seen the news, and it is us. slowly but surely, the 1970s are disappearing. the 1980s will be upon us. what a decade it is coming up. happy new year! as you begin the 80s in the television world, the landscape was, on any given evening, nine out of ten people were watching only one of three networks. more than 30 million people are addicted to it. social critics are mystified by its success. what is it? it s television s primetime, prairie pot boiler, dallas. a m
increasingly, she s written and created her own shows. is that the pathway to empowerment in an industry where actors can be just another commodity? jane horrocks, welcome to hardtalk. thank you very much. it is great to have you in the studio. you have been in this acting business for almost four decades. i wonder when you think about your own career, do you feel that you very consciously shaped it or is it more a question of serendipity and stuff thatjust happened? i think there is a lot of both actually, yes. i think i did engineer quite a lot of it in that my choices were very specific but certain things happened at a certain time that kind of formed it as well. and when you think about the big choices, the key choices, that you made that were instrumental in shaping your career, what would you point to? i think probably the biggest choice that i made was leaving the rsc. the royal shakespeare company? yes, which was my firstjob and they offered me another season and i th